Cristy Burne

Science writer, children's author, editor


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Takeshita Demons: now even scarier in Indonesian!

Miku and Cait Takeshita Demons.jpg

Miku Takeshita and Cait O’Neill: don’t mess with them.

At last, thanks to the lovely @_bacaisme and Twitter, I am holding copy of Takeshita Demons in Indonesian! YAY!

The cover is lovely and shiny, and Miku and Cait have been redrawn to look even more kick-ass, and the nureonna?

Well, let’s just say I’d never want to meet her in an empty school corridor in the dead of night.

It’s pretty strange to see such scary images on the cover of my books, especially since I don’t like scary stories. (I get really, really scared!).


And yes, that is a comparison to Roald Dahl and the Brothers Grimm on the cover. Woah! And really? Thanks reviewer, whoever you are.


Even looking at her freaks me right out. Just in time for Halloween.

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Free Halloween fun for ages 8 to 12

FREE HALLOWEEN EVENT: Friday 28 October 2016 from 6pm to 7.30pm

Come along to the Mary Davies Library and Community Centre in Rockingham to join me for a spine-chilling evening of spooky stories… if you dare!

I’ll first weave a terrifying tale, and then you can get creative and craft your own.

This free event is suitable for children 8 to 12 years.

Registrations are essential. Call 08 9591 0800 or email to book your place.



A new book! A new publisher! A new agent!

hoorayA new book!

I’m incredibly thrilled to announce that I have a new book coming out next year with the amazing Fremantle Press, edited by the fabulous Cate Sutherland!!!!
(YAY! Dancing hippy happy hornpipes allowed and encouraged.)

It’s an adventurous book for young readers, a story of friendship and trust, danger and doing, set on Western Australia’s iconic Rottnest Island.

I love this story because it’s also about taking risks. It’s about encouraging our children to play outside, to explore their limits, to discover what’s really important to them.

In yesterday’s paper there was a quote from Claire Warden of the International Association of Nature Pedagogy that really stood out for me, and it resonates with this book:

“If you don’t have any physical risk, there is greater emotional risk…If you’re scared of your own shadow, you don’t try new things, and you don’t have that inner emotional resilience to push yourself in any way.”

So get out there! Do something that scares you every day! (This has been my motto for years; it’s even a scary motto!)

A new publisher!

I’m honoured and excited to be sailing with the Fremantle Press crew. They’re fantastic. They publish great Western Australian stories, they take risks with the stories they publish, and they’ve been doing it for 40 years! The authors they represent are lovely too 🙂

Want to help share the love? You can be part of Fremantle Press’ birthday celebrations by joining the party on Wednesday November 2. fremantlepress_40year_oct2016




A new agent!

I’ve also just signed with Danielle Binks, agent-at-large with the Jacinta Di Mase agency. More hippy, happy hornpipes! They’re both super-well-respected in the industry and I’m looking forward to working with them on some exciting new projects, especially in children’s non-fiction. Yay!




The new Publishing: tips and advice from the Australian Society of Authors

what-do-you-mean-no-champagneThe business of writing is changing. Our publishing cheese is on the move. In fact, it may no longer be in the building.

So what to do? WritingWA invited Juliet Rogers—publishing guru and Executive Director of the Australian Society of Authors—to chat about why publishing is no longer all free lunches and champagne.

Scroll down for Juliet’s tips on getting published.


The business end of business

In Australia, the business of writing means we publish 7000 new Aussie books every year (and another 14000 titles from overseas), turning over 2 billion dollars and employing 20,000 people.

“We’re the sector that underpins the cultural identity of this country,” Juliet says.

“We’ve built a book ecosystem in this country which is largely self-sustaining, but there’s still a place for government support, and this is largely absent.”

In fact, she says, the industry’s currently under attack as the Productivity Commission moves to reduce the length of copyright for creators and FANG (Facebook, Amazon, Netflix and Google) continue their push to “make free content cool and copyright old-fashioned.”

Sign the ASA’s petition here to help protect Australia’s book industry, and with it, the diversity of stories our children will be able to read.

Juliet Rogers of the Australian Society of Authors

Are we artists? Or entrepreneurs? Or both?

“We need to get better at separating the business of writing from the craft of writing, while understanding the importance of both,” Juliet says.

“As an industry we’ve been slow, we’ve clung to the old rules for too long and have had to scramble to keep up.”

We can now choose ebooks instead of print-and-petrol product. We can have the internet as a distributor, and social media as a publicity department.

However, says Juliet, the fundamentals remain the same:

“To write what is worth publishing, to find honest people to publish it, and get sensible people to read it are the three great difficulties in being an author.” Charles Caleb Colton

Anyone can be a writer

Anyone can make a book, and many do. This, I think, should be viewed as an asset to the industry, not a liability. Yet it does raise challenges.

Of Australia’s 3800 publishers, 60% have published just a single book. In fact, more than 70% of titles are published by only 3% of publishers, Juliet says.

“Writers no longer dream of winning Lotto; they dream of writing a title that goes viral,” she says. (Hands up if you can relate to this)(You’ve got to have a dream, right?)

Whether you’re writing, editing, self-publishing or searching for an agent or publisher, Juliet has some choice words of advice:

Juliet Rogers’ tips for getting published

Write a great book. “Your words have to be great words. They have to say something interesting or good or beautiful; most of all they have to stand out from the crowd…. Have you truly written something worth publishing? You need to be confident that it’s good enough for people you have never met to put their hands in their pockets and buy it.”

Beware ‘almost-there’. “The really good books, they stand out. You know you will move heaven and earth to publish that book. The sad ones are the ones that are nearly there. Almost there. In a tough market like this, almost isn’t going to get you there.”

Beware fraudsters and charlatans. The fake agents. The vanity publishers. The dodgy manuscript assessors who love your work but mostly love your chequebook. “When they hear, ‘we want to publish your book,’ perfectly intelligent, rational and perceptive human beings rush to sign contracts that are nothing less than criminal,” says Juliet. The answer, at least in part, is to get the ASA to check your contract before you sign.

Slow down. So, you have a publishing offer? It’s business time! “Let the excitement of imminent publication settle, and before you make any commitment, look for the red flags.” Is their website badly written? Do they make ridiculous promises without evidence or detail? “Let your head rule, not your heart. It’s not the time for emotion and passion and enthusiasm. Do you really want these people making your book?”

Read, read, read. “Read as widely as you can across your chosen genre. If you don’t understand the genre, you’re not going to succeed at it.”

Practise, practise, practise.Your first attempt is unlikely to win the Miles Franklin, but the more you write, the better you’ll become. Be prepared to listen to feedback. Learn when to take notice, and when to stand your ground.”

 “Self-publishing a shitty book doesn’t make you an author any more than singing in the shower makes you a rock star” Oliver Markus

Last words from Juliet

On diversity in publishing:There are many voices in this country that aren’t being heard in the way that they should be. I’m not entirely with Lionel, I have to say.  There’s a lot of work to be done.”

On globalisation in publishing: “The more corporatised you become, the less likely it is that you will take risks. That’s why there a lot of little companies starting up, and some are doing some interesting things.” See Text, Black Ink, Henry Scribe….

On rejection: Vodka is only a short term answer. This is a time for ruthless self-honesty. It may be that although you love writing, you simply don’t have the skill to be a published author.”

On getting published: “It is still possible. You don’t need to have won prizes, you don’t need awards. You don’t need any paraphernalia. You need a book that knocks you over.”

Now go write! The future is bright.

“New technology has begun to shift and equalise the balance of power for authors, because knowledge is power,” says Juliet.

“Great books will continue to be written, and great books will continue to be read. The future looks a pretty exciting place to me.” Juliet Rogers

“The business of writing is never easy, but there is always demand for good writing,” Juliet says.

“Wherever technology takes us, we’ll always need writers.

“Writers help us honour the past, record the present and shape the future.”

Pretty great, huh? It was an awesome night. Thanks so much to WritingWA for organising!




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How do fireworks work?

fireworksFirecrackers explode into the night, and the sky fills with starbursts.

Want to explain the science of fireworks and sparklers?


By Cristy Burne


Don’t you just love the big bangs, wild explosions and bursting colours of a firework display?

But how does a firework work?
Let’s find out.

Simple fireworks are shaped like hollow balls and filled with fuel to make them explode. More tricky fireworks have different fuels hidden between different layers. Only one layer opens at a time, kind of like “Pass the Parcel.”

Chemical starbursts
Each firework is packed with tiny stars—little packages about the size of a marble that burn to make a bright starburst in the sky. There can be hundreds of stars in just one firework.

Inside each star are chemicals called explosives, which help the star to explode, and chemicals called metal salts, which make the star a bright colour.

Burn, baby, burn
When each star explodes, the heat of the explosion makes the metal salts burn. Different types of metal salt burn with a different coloured light. Iron salts produce gold-coloured starbursts, and aluminium salts give off bright white starbursts. Ordinary table salt contains a metal called sodium, which produces bright orange starbursts when it burns.

Why do metals give off light when they get hot?
When you heat something, you give it extra energy. This energy is heat energy. Metals can change heat energy into light energy by giving off coloured light.

What about sparklers?
Sparklers are just like other fireworks. They burn iron powder to get the bright golden light. Sparklers burn slowly because they don’t have a lot of fuel. Firecrackers explode because so much furl burns all at once!

Did you know?
Fireworks contain titanium, the same stuff that some spacecraft are made out of. Titanium is included to give the big BANG sound of fireworks. When titanium is ground up like a powder, it burns really quickly, giving a huge ka-BOOM!!!

firework science.gifUp, up and away
Setting up for a big fireworks display is a huge job. Each firecracker must be loaded into a metal or plastic tube, called a mortar, which is like a small cannon. Inside the mortar, at the bottom, is an explosive powder. When you light the firecracker, the powder explodes and pushes the firework out of the mortar, blasting it into the sky.

While the firework is shooting up into the air, its fuse is still burning. The fuse is long and narrow, like a piece of string, and it burns right into the heart of the firecracker. As the cracker soars higher into the air, the fuse burns shorter, and gets closer to the fuel at the centre of the firework. Just before the cracker has reached its highest point, BANG – the fuse reaches the fuel and the firework explodes in mid-air.

This article first appeared in CSIRO’s Scientriffic magazine.
Thanks to for the terrific fireworks gif
closer encounters with puma

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Urban pumas kill more, eat less

closer encountersEver see a kangaroo hopping past your window? In parts of the United States and Canada, instead of wild grass-eating kangaroos, they have wild flesh-eating pumas. And when humans are around, these pumas kill for food more often, but eat less of each kill.

Wild pumas are known as cougars or mountain lions and roam some neighbourhoods in Canada and the U. S.

Usually, a puma can feed on the carcass of a killed deer for up to five days.

But, as humans encroach on their territory, this slow-paced luxury is one that urban pumas cannot afford.

GPS tracking in Santa Cruz Mountains
Researcher Justine Smith used GPS collars to track the hunting patterns of 30 wild pumas in the Santa Cruz Mountains, California.

She found female pumas living close to human neighbours were changing their behaviour, spending less time eating what they kill, and killing 36% more deer each year to compensate.

“When females make a kill in a highly developed area, they spend less time at their kill site, and move farther away to bed down during the day,” says Justine.

Puma mums too busy to kill, eat and care?
But avoiding humans and missing meals can leave a big cat hungry.

With female pumas also responsible for raising kittens, Justine’s guess is that puma mums may end up exhausted.

“Killing deer takes tremendous effort… Such a dramatic increase in kill rates could have effects on reproduction,” she speculates.

I wrote this article for CSIRO’s popular science magazine: Double Helix.
Be sure to check out Justine’s youtube channel to see the big cats in action:

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Ballet bugs: designing robots using spider crickets

ballet bugs HelixWant to design the very coolest robots? Look to nature…

I wrote this article about spider crickets for CSIRO’s Double Helix magazine. Be sure to also check out the video below of the crickets in action. They really are beautiful!


Spider crickets can jump almost 60 times their body length—that’s like an adult human jumping across an Aussie rules football field.

Then the crickets land on their feet, ready to jump again. How do they do it? What if robots could move like that?

Rajat Mittal is using high-speed video cameras—able to snap 400 frames per second—to record how these wingless crickets can ‘fly’ so far.

“Watching these animals in slow motion is exactly like watching an elegant ballet,” Rajat says.

While rocketing up, the crickets streamline their six legs to maximise flight time. Once they start to fall, they spread their limbs, opening like an umbrella to stabilise them on the way back down.

“It’s kind of beautiful in a really weird way,” says Rajat’s teammate Emily Palmer.

“Ultimately, the application would be in really tiny robots.”

Jumping micro-robots could efficiently cross rocky ground, helping us to search for earthquake victims or explore other planets.