Defeated Heike warriors are turned into crabs as they are tossed from their ships. (Paintings by Kuniyoshi)
I’m doing some research for book 4 of the Takeshita Demons series (which I think will be set on the ocean) and I came across this awesome story:
Legend of the Samurai crabs
On April 24, back in 1185, two powerful Samurai clans fought to the death on the Dan no Ura bay of Japan’s Inland Sea.
The ruling clan, the Heike (house of Taira), was led by their child-Emperor, Antoku, and his grandmother.
The Heike had ruled for many decades, but now, massively outnumbered, they faced defeat at the hands of the Genji clan (house of Miyamoto).
This crucial battle was a turning point for Japanese history: the Genji clan’s victory at Dan no Ura marked the beginning of seven centuries in which Japan was ruled by warriors and Shoguns instead of Emperors and aristocrats.
But back to the battle…
For the Heike, surrender wasn’t an option. But when 3000 enemy ships attacked under cover of a storm, they were vastly outnumbered and underprepared.
Knowing a bad deal when she saw one, the Emperor’s guardian and gran took the child’s hand and together they jumped into the ocean, opting for death on their own terms rather whatever gruesome end would be on offer from the enemy.
The remaining Heike warriors, about 1000 ships-worth in all, followed their leader into the ocean or were thrown there by the enemy and left to drown.
Remembering bravery and loss
Now, every April, there is a festival to remember the Heike.
But the festival isn’t the only way these warriors are remembered:
Legend has it that the warriors still walk the ocean floor, albeit sideways.
The story is that when the Emperor jumped, he and his warriors were transformed into crabs, called heikegani, or Heike crabs (Heikea japonica in Latin; 平家蟹 in Kanji). But the transformation was not complete: the shells of these crabs are still marked with grooves and ridges that form the faces of the Samurai warriors.
Genetics or ghosts?
There are three schools of thought on the Heikegani crab:
1) Artificial selection:
Theory 1 has it that local fishermen weren’t keen on eating the spirit of a brave samurai, so any crab with a shell that looked even vaguely like a samurai’s face was thrown back.
The result? Ordinary crabs were removed from the sea in favour of samurai crabs, and these samurai crabs went on to breed and produce more samurai crabs. Crabs that most resembled a samurai were most likely to live. Check out this explanation by popular scientist Carl Sagan.
2) Muscles and guts
This is the most boring of the arguments. Apparently there are at least a dozen other species of crab around the world that also have human faces on their shells. The theory here is that although the ridges and lines on the crab’s shell might seem to form faces, they are actually positioned to protect muscles and organs underneath the shell, and have nothing to do with samurai warriors.
The crabs are indeed reincarnations of the drowned warriors, and these warriors live, even today, on the sea floor, ruling the depths of the ocean…
Because you’re missing out on the original Benten (弁天):
For a start, Benten isn’t a boy, she’s a woman. And she’s around 1500 years old, not 10. And she doesn’t turn into aliens because she’s already a god and often has eight arms, plus she’s good friends with dragons and enormous snakes.
So Ben 10, eat your heart out. Benten is awesome!
The fabulous Matthew Meyer portrays the seven lucky gods (see Benten in the middle)
Before Ben 10, there was 弁天
Benten is one of the seven Japanese gods of good luck, and she’s the only female representative on the team.
She’s hugely popular in Japan: she’s the goddess of water and oceans, she protects against disaster, and she’s associated with artistic learning and wisdom and general prosperity. So she’s quite the god to have on your side.
Especially when you consider the dragons.
Benten is also called Benzaiten, though when she first came to Japan from India, she was called Sarasvatī.
She likes to play the biwa (Japanese mandolin), so she’s easy to spot in paintings and sculptures, although when she appears with eight arms, she ditches the biwa and instead carries a bow, arrow, sword, ax, spear, long pestle, iron wheel, and silk rope.
So again: don’t mess with this lady! She’s absolutely my kind of goddess.
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